Artist Statement

Artist Statement

My photography and art practice is influenced strongly by my professional training in cultural geography. My artwork is conceptually-driven, and simultaneously personal and political. In my visual arts practice, I am drawn to understanding diverse relationships between identity, place and environment. On the one hand, my work explores the intersections of cultural and natural systems, including human-animal relations, conservation, urban nature, streetscapes, architecture, capital exchange and natural elements. On the other hand, I also delve into political and psychological work that captures shifting moments of selfhood, identification and belonging.

For information on my academic work, see: https://uws.academia.edu/AndrewGormanMurray

Contact me via email: andrewgm3 [at] gmail.com

Copyright Statement

Copyright Statement

All images and text statements appearing on this website are copyrighted © 2013-2015 Andrew Gorman-Murray. Images may not be reproduced, copied, transmitted or manipulated without the written permission of Andrew Gorman-Murray. Citation of text is permitted providing the author (Andrew Gorman-Murray) and source (this website) are correctly attributed.

Over the Ditch








Installation photographs, Over the Ditch, 2014.
Photomedia installation, with found and donated photographs, ethnopoetry, and recycled timber.

Over the Ditch, which is part of On Islands Eramboo: Creative Collaboration Festival, is a collaboration between Andrew Gorman-Murray, Chris Brickell (University of Otago) and Anna De Jong (University of Wollongong).

On Islands Eramboo, 15-30 November 2014.

The Antipodes – Australia and New Zealand – are large islands surrounded by the Pacific, Indian and Southern Oceans, sharing the Tasman Sea as a fluidic border. There is a long history of island-hopping between Australia and New Zealand, which share cultural traits and open borders. Trans-Tasman crossings are colloquially called ‘hopping over the ditch’.

Over the Ditch is a photomedia installation that explores and visualises the experiences of gay men from Australia and New Zealand who have hopped over the ditch. The installation comprises found and donated photographs from seven men who crossed the ditch. They span a period of eighty-three years, from 1931 through the early post-WWII years to 2014. Many of these men wrote diaries, stories and blogs of their journeys too, and these texts are rendered as ethnopoetic verse to add layers to our sense of their experience over the ditch.

The installation takes the form of a journey, with 22 route-markers created from recycled timber, which present a sequence of visual and ethnopoetic narratives from the men. Materially, the route-markers invoke ideas of breaking down fences, journeying through life, and seeking a place of belonging. 

Hopping over the ditch is significant for these men. Experiences on the other side of the Tasman shape subjectivities, identities and cultural worlds and issues social and political messages. Sydney has been a symbolic and material beacon for Antipodean gay imaginaries. Connecting with place – in and through movement – informs who we are. It also builds our relationships with each other. In the last year, around 240 Australian same-sex couples have married in New Zealand, which is now a beacon of acceptance.

Over the Ditch is a collaboration across disciplines, linking history, geography and visual art. In bridging gay worlds across the Tasman, our narratives reach across disciplinary boundaries.


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