Texere: The Unfinished Work of Domestic
Assemblage, 2014.
Digital Photograph, 30cm x 20cm.
This work was created for the cover of a
special issue of the journal Home Cultures, on the theme 'Alternative
Domesticities: A Cross-Disciplinary Approach to Home and Sexuality'. The work
attempts to visualise some of the ‘queerness’ of domesticity, taking
seventeenth and eighteenth century Baroque still life painting as its starting
point. Still life, especially from the Dutch Republic, often referenced
domestic themes through the arrangement of domestic objects – food, flowers,
fruit, textiles, tools, vases, ceramics, cutlery, etc. This art-historical
tradition highlights the importance of the domestic for understanding
historical, geographical and social processes. The piece attempts to evoke the
materiality and tacility of the domestic. In doing so, the work seeks to elicit
contemporary cross-disciplinary themes about the domestic as: a process, a
weaving, a representation, a text, an assemblage, an ongoing labour, sensorial,
unfinished, messy, and polyvalent. Every element within the image is a textile,
making reference to the Latin root of both text and textile – texere – a
weaving. Text, textile and representation are always weavings: in this case, a
weaving of the domestic as an assemblage of materials, and a process of labour,
that is layered, multifaceted and enduring.
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